Smith & Bresson Club

Smith & Bresson Club
Smith & Bresson Club - I was inspired to create the Smith & Bresson Club for photography by the Pope and Young Club, which is for bowhunters. There are certain requirements, which a bow kill needs to satisfy in order to qualify for acceptance in the Pope and Young Club. The criteria to be accepted in the Smith & Bresson club will be based on my own subjective view of my work, which I will score. In short, those photographs that are part of this club will be my best work and those pieces, which would be part of an exhibition. Any photos that meet this criteria, will be marked by a small skull icon. To view the documentary THE BLUE WHITETAIL, go to the following website; http//:filmfreeway.com/873363 or click on the Smith & Bresson logo above.

April 8, 2012

F-1 Beams, Barn

'F-1 Beams' - 1977                                                                                                                                                              snake

'F-1 Barn' - 1977                                                                                                                                                                  snake



Canon F-1. My first 35 mm camera was a Canon F-1 with a 50mm FD1.4 lens. At the time it was Canon’s top-of-the-line camera and the last fully mechanical camera the company made. But the Canon F-1 was not how I got my start in photography. That distinction belongs to a Kodak Pocket Instamatic. So how did I make the leap?

As a junior in high school, I had my hands full with egg-head honors classes while also wrestling on the varsity team, so I decided to take photography as an ‘easy’ elective. My first assignment for the photography class was to shoot a roll of black and white film. All I could scrounge up was that Instamatic. Even so, my teacher really liked the shots I took with that little camera and on that encouragement, I decided to buy a 35mm camera. My friend (whose name I will kindly not mention) offered to sell me a brand new, ‘hot’ Canon F-1, with a price way too good to pass up. With the Canon in hand, my father took me into the city of Rochester, and then out to the countryside, so I could shoot a roll of 24 frames. The barn shots and Xerox Tower are the best shots edited from the roll.

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