Smith & Bresson Club

Smith & Bresson Club
Smith & Bresson Club - I was inspired to create the Smith & Bresson Club for photography by the Pope and Young Club, which is for bowhunters. There are certain requirements, which a bow kill needs to satisfy in order to qualify for acceptance in the Pope and Young Club. The criteria to be accepted in the Smith & Bresson club will be based on my own subjective view of my work, which I will score. In short, those photographs that are part of this club will be my best work and those pieces, which would be part of an exhibition. Any photos that meet this criteria, will be marked by a small skull icon. To view the documentary THE BLUE WHITETAIL, go to the following website; http//:filmfreeway.com/873363 or click on the Smith & Bresson logo above.

January 13, 2013

Olga 1

'Olga 1' - 1985                                                                                                                                                                snake

The Conundrum   Whitetail deer are among the most ascetically beautiful animals, and yet, a bowhunter will shoot them, aiming at their vital organs, with the hopes of killing them. How can this be? The reasons can range from the practical to the philosophical to the purely biological.  For starters, hunting (a form of scientific game management) ensure that whitetail will always continue to thrive. The venison these magnificent animals provide is among the healthiest and tastiest meat, surpassing their domestic counterparts by miles. Of course, the chance to arrow these beautiful creatures, who are unmatched in their survival characteristics, fills a bowhunter with the highest respect for the whitetail. By putting the fair chase laws at the forefront to hunt this quarry, and giving thanks when we are able to arrow the whitetail, our egos are eliminated. Any bowhunter worth his salt knows that the whitetail will win the chase more times than not and for those reasons, we treasure the experience.

How could I shoot (photograph) my mother while she was dying from cancer?  By following the same rules of any ethical hunter. My mother knew I was a photographer and that my life’s work was to document.  She knew I would never exploit her illness for my own gain. In essence, she trusted that I would use the same unwritten rules for photographing her, as I would with the whitetail I shoot.  Olga 1 is the first of the series of the personal photographs which I shot while both caring for and documenting my mother’s battle with a brain tumor.

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